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Aber wer genau hinsieht merkt: Das Leben der 15-jährigen Kaiserin war kein Leichtes. Ja, es sind Filme mit viel Kitsch und Liebe und schönen Kleidern. Aber wenn man meinen Opa zum Ende des dritten Filmes anguckt, tränenüberströmt und mit Glück im Herzen, sieht man: Sissi ist etwas Besonderes.ĭie Filme erzählen von der –zum Ende hin tragischen – Geschichte der bayrischen Prinzessin Elisabeth (Romy Schneider), die durch eine schicksalhafte Begegnung mit Kaiser Franz Joseph (Karl Heinz Böhm) zur Kaiserin von Österreich gekrönt wird. Nicht viele Filme geben so viel her, dass man sie immer und immer wieder gucken könnte. Die Filme waren besonders damals Balsam für die Seele der mental ausgehungerten Nachkriegsgesellschaft. Schon seit der Kindheit meiner Mutter weint, lacht und leidet meine Familie mit der schönen Prinzessin und ihrem engsten Umfeld. Sissi: Ein Heimatfilm, der zu Tränen rührtĭie drei Sissi-Filme (1955-1956) zur Weihnachtszeit zu gucken, hat Tradition. "I have an offering for you, Mr Rosenthal." One gunshot might not have worried anyone in the flats around, but two? They'd all come here to see what's going on and they'd find you and the mess you left on the man's undeniably tasteful wallpapers. "Getting defensive, aren't we? I'm not here to mock you, Rosenthal. Just a friendly reminder before you start mocking me." "Ah, the injury from the land mine, is that right?" I have a bit of trouble getting up once I've sat down."Īnother smile. The Nazi is irrelevant." She came over and sat down on the sofa next to the bloodstained body. We played a little game called bullet meets brain." "If you wanted to visit Schneider, you're a few minutes late. "I'm not anyone else." He spoke English, quietly and surprisingly without an accent. On anyone else it would've looked out of place, but in a strange way, it made her even prettier. "I'm impressed." She smiled, a grin that exposed her gums. Her short black hair was blowing in the wind and her pale blue eyes seemed to glow in the dim light of the lamp. "Heinz Rosenthal." A young woman suddenly stepped out from behind the curtain. It was an act of desperation, and one he didn't particularly enjoy. He'd become desensitized to death by now, but killing was still hard. The other was holding onto the doorframe for support. One of his pale, muscular hands was clutching a Smith & Wesson. He was walking very stiffly and his pale pink eyes twitched. There was a bullethole in his forehead.Īnother man came back into the room, his white hair messy. A dead man in a military uniform was sitting on the sofa, his head hung low. The pretty flower tapestry was sprayed with blood and gore. The shaded lamp was still on and bathing the small living room in a warm, though dimmed light, the curtains blowing in the strong breeze coming from the opened window. The small, tasteful apartment in Munich was very quiet. Greenglass Hall (new version) For the writer ask box thing